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	<title>Sven Jense</title>
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	<description>How to meet a stranger? By moving towards him.</description>
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		<title>News</title>
		<link>http://www.seesproject.com/verplaatsing/?p=512</link>
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		<pubDate>Wed, 02 May 2012 08:38:58 +0000</pubDate>
		<dc:creator>Sven Jense</dc:creator>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[africa]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[migration]]></category>
		<category><![CDATA[slavery]]></category>

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		<description><![CDATA[I am currently working at Estudio Nómada in Barcelona, on a study for the theatre performance the Last Fish, in cooperation with visual artist Iris Tonies. I&#8217;m also focussing on the question how to live in times of converging global crises and extensive chaotic change. In what kind of world do we want our kids to live? [...]]]></description>
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		<title>Crisis of Humanity &#8211; IDFA 2011 selection</title>
		<link>http://www.seesproject.com/verplaatsing/?p=1705</link>
		<comments>http://www.seesproject.com/verplaatsing/?p=1705#comments</comments>
		<pubDate>Wed, 16 Nov 2011 23:43:23 +0000</pubDate>
		<dc:creator>Sven Jense</dc:creator>
				<category><![CDATA[Blind Film]]></category>

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		<description><![CDATA[We are living in turbulent times. I could not help but coming to a selection of films screening at IDFA that not even make the point we are on a tipping point for our survival as a species, but rather depart&#160;from that point. Are we living in The End Times, as Slavoj Zizek puts it? [...]]]></description>
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		<title>Why The Last Fish</title>
		<link>http://www.seesproject.com/verplaatsing/?p=1691</link>
		<comments>http://www.seesproject.com/verplaatsing/?p=1691#comments</comments>
		<pubDate>Thu, 20 Oct 2011 08:58:24 +0000</pubDate>
		<dc:creator>Sven Jense</dc:creator>
				<category><![CDATA[Fish]]></category>
		<category><![CDATA[biodiversity]]></category>
		<category><![CDATA[fish]]></category>
		<category><![CDATA[jason clay]]></category>
		<category><![CDATA[ted talk]]></category>

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		<description><![CDATA[Why focus on fish? Because I can stand for an hour at a fish market, just to look at the beauty of these animals. But also because fish as a &#8216;resource&#8217; poses a serious environmental threat. Take a look at Jason Clay&#8217;s (WWF director) TED talk, at about 9&#8217;20&#8243;.]]></description>
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		<title>REplace project results</title>
		<link>http://www.seesproject.com/verplaatsing/?p=1545</link>
		<comments>http://www.seesproject.com/verplaatsing/?p=1545#comments</comments>
		<pubDate>Sat, 28 May 2011 20:50:00 +0000</pubDate>
		<dc:creator>Sven Jense</dc:creator>
				<category><![CDATA[Blind Film]]></category>

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		<description><![CDATA[REplace: idea, journey,&#160;film, installion, theatre, exhibition, research,&#160;debate and more about African migrants coming to Europe &#8211; if they make it. The exposition with our video-art installation REplace was huge success;&#160;15.000 visitors to St. Petersburg exposition Articles in&#160;NRC and&#160;Trouw,&#160;more press&#8230; Broadcast at Het Gesprek Broadcast in Namibia, NBC (National television) Reactions on&#160;documentary:&#160;Click here. Travellog. Missed it?&#160;Order [...]]]></description>
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		<title>Eyewitness Auschwitz &#8211; Filip Müller (1979)</title>
		<link>http://www.seesproject.com/verplaatsing/?p=1531</link>
		<comments>http://www.seesproject.com/verplaatsing/?p=1531#comments</comments>
		<pubDate>Wed, 25 May 2011 12:48:17 +0000</pubDate>
		<dc:creator>Sven Jense</dc:creator>
				<category><![CDATA[Fish]]></category>
		<category><![CDATA[Research]]></category>
		<category><![CDATA[Theatre]]></category>
		<category><![CDATA[auschwitz]]></category>
		<category><![CDATA[fish]]></category>
		<category><![CDATA[gas chambers]]></category>
		<category><![CDATA[holocaust]]></category>
		<category><![CDATA[research]]></category>

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		<description><![CDATA[Eyewitness Auschwitz &#8211; Filip Müller  (1979). Cicago (1999), Ivan R. Dee. It&#8217;s only one scene that really touched me &#8211; so far. The scenes at the gas chambers at Auschwitz, where Filip has worked for three years, are far too horrible to comprehend. It&#8217;s merely interesting to see how much distance I feel between me and [...]]]></description>
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		<title>Kunst, Gelukkig (waarom bezuinigingen op kunst een serieus volksgezondheidsprobleem vormen)</title>
		<link>http://www.seesproject.com/verplaatsing/?p=1524</link>
		<comments>http://www.seesproject.com/verplaatsing/?p=1524#comments</comments>
		<pubDate>Thu, 28 Oct 2010 19:18:38 +0000</pubDate>
		<dc:creator>Sven Jense</dc:creator>
				<category><![CDATA[Blind Film]]></category>

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		<description><![CDATA[Hooggeëerd Publiek: Wij gaan dood. Soms sneller dan anders. Roken scheelt drie tot zes jaar. Maar dodelijker is: je ongelukkig voelen. Wel of niet gelukkig scheelt al snel een jaar of negen. De gelukkige, gezonde roker is dus echt zo gek nog niet. Relaties maken ons gelukkig. Geld ook. En een betekenisvol leven, dat vervult [...]]]></description>
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		<title>What does it mean, lacking images?</title>
		<link>http://www.seesproject.com/verplaatsing/?p=1493</link>
		<comments>http://www.seesproject.com/verplaatsing/?p=1493#comments</comments>
		<pubDate>Wed, 11 Aug 2010 18:36:17 +0000</pubDate>
		<dc:creator>Ricarda Franzen</dc:creator>
				<category><![CDATA[Blind Film]]></category>

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		<description><![CDATA[Otto Karl Werckmeister divides two different image sferes in the context of the medialandscape. One he calls the informative image sfere (informative Bildersphäre) and the other one is &#8211; according to him- the operative&#160;image&#160;sfere (operative Bildersphäre). The operative one is the archive of images which virtually exist, but which would never reach the broad public. [...]]]></description>
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